True story based on Jodi Arias, a seductive 28-year-old aspiring photographer found guilty of killing her former lover, Travis Alexander, who was found nude in his home shower with a slit throat, 27 additional stab wounds and a bullet to the head. While investigating the violent killing, Mesa, Arizona police retrieved a digital camera from Alexander’s washing machine, revealing shocking images authorities claim Arias took during their sexual escapades, as well as during and after his murder. While Jodi pled not guilty and contends she killed Alexander in self-defense, police concluded that when he broke off their relationship, she stalked her ex-boyfriend and seduced him one final time before murdering him in cold blood. Her subsequent trial has been grand theater, dominating the cable news networks as she testified in her own defense and offered explicit insight into the sex, lies and obsession that led up to Alexander’s murder.
PG-13
(Some material may be inappropriate for children under 13. Films given this rating may contain sexual content, brief or partial nudity, some strong language and innuendo, humor, mature themes, political themes, terror and/or intense action violence. However, bloodshed is rarely present. This is the minimum rating at which drug content is present.)
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Questo film, basato su una storia vera, ci racconta la storia di una madre single che fu la prima vittima del rapitore Ariel Castro e rimase prigioniera in casa sua per 11 anni. In seguito diventò amica e sorella di altre due donne rapite dal medesimo rapitore.
Episodi sentimentali nella vita sessuale di uno scrittore televisivo di New York la cui ultima moglie (Streep) l'ha abbandonato per una donna. In questo poema d'amore per una Manhattan interiorizzata e sognata, calata nel sublime bianconero di Gordon Willis o accarezzata dalle canzoni di George Gershwin, più che la vicenda contano i personaggi e il tono con cui sono raccontati. Dramma in cadenze leggere di commedia: la summa di Allen di cui è per molti critici e spettatori il film preferito, quello che resterà. Agli Oscar, infatti, non fu nemmeno nominato. 1° film di Allen in bianconero e anamorfico. L'autore non ne era soddisfatto: troppo statico. 1° film con Susan E. Morse al montaggio.
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