Celebrities born on settembre 03

Michael Hui Koon-Man (Chinese: 許冠文) is a Hong Kong film comedian, scriptwriter and director. He is the eldest of the Hui brothers (together with Ricky and Sam Hui) who remain three of the most prominent figures in Hong Kong entertainment circle. Michael Hui is considered by many critics to be the foremost comedian in the Hong Kong film industry before Stephen Chow. Description above from the Wikipedia article Michael Hui, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Alan Walbridge Ladd was an American actor and film and television producer. Ladd found success in film the 1940s and early 1950s, particularly in Westerns and film noirs where he was often paired with Veronica Lake, as she was one of the few Hollywood actresses shorter than he. His popularity diminished in the late 1950s, though he continued to appear in popular films until his death from cerebral edema in January 1964. Ladd was born in Hot Springs, Arkansas, but later relocated to North Hollywood, California when his mother re-married.   He worked briefly as a studio carpenter (as did his stepfather) and for a short time was part of the Universal Pictures studio school for actors.  Intent on acting, he found work in small theatres. He had short term stints at MGM and RKO, and eventually started getting steady work on radio.  Ladd began by appearing in dozens of films in small roles, including Citizen Kane , before reaching recognition for his 1942 appearance in This Gun for Hire, invigorating Hollywood's desire for gangster-crime features.  His cool, unsmiling persona proved popular with wartime audiences, and he was quickly established as one of the top box office stars of the decade.  

Ayumu Watanabe (渡辺 歩, Watanabe Ayumu, September 3, 1966) is a Japanese animation director, animator, and director born in Tokyo. He also worked under the alias Kakeru Watanabe (渡辺 カケル, Watanabe Kakeru).

Jean-Pierre Jeunet is a French film director and screenwriter known for the films Delicatessen, The City of Lost Children, Alien: Resurrection and Amélie. Jean-Pierre Jeunet was born in Roanne, Loire, France. He bought his first camera at the age of 17 and made short films while studying animation at Cinémation Studios. He befriended Marc Caro, a designer and comic book artist who became his longtime collaborator and co-director. They met at an animation festival in Annecy in 1974. Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. Jeunet also directed numerous advertisements and music videos, such as Jean Michel Jarre's Zoolook (together with Caro). Jeunet's films often resonate with the late twentieth century French film movement, cinéma du look, and allude to themes and aesthetics involving German expressionism, French poetic realism, and the French New Wave. Jeunet and Caro's first feature film was Delicatessen (1991), a melancholy comedy set in a famine-plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants. They next made The City of Lost Children (1995), a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely.[3] The success of The City of Lost Children led to an invitation to direct the fourth film in the Alien series, Alien: Resurrection (1997). This is where Jeunet and Caro ended up going their separate ways as Jeunet believed this to be an amazing opportunity and Caro was not interested in a film that lacked creative control working on a big-budget Hollywood movie. Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics. Jeunet directed Amélie (2001), starring Audrey Tautou. Amélie is the story of a woman who takes pleasure in doing good deeds but has trouble finding love herself, was a huge critical and commercial success worldwide and was nominated for several Academy Awards. For this film, Jeunet also gained a European Film Award for Best Director. Jeunet has also directed numerous commercials including a 2'25" film for Chanel N° 5 featuring his frequent collaborator Audrey Tautou. Description above from the Wikipedia article Jean-Pierre Jeunet, licensed under CC-BY-SA, full list of contributors on Wikipedia.

He started his film career at the age of 8. He has appeared in theatre, film, and television. Few young actors have the career and experience that Denizhan has. Denizhan Akbaba was born September 3, 2001 in Istanbul, Turkey. He started performing in the theatre at the age of 12. For three years, he performed in plays. He underwent numerous tours as a result. He played at the Dortmund Theater, and that was his best performance. From the crowd, he received a perfect score. He played in this particular theatrical play for the first time as a child actor. He was in Bahman Ghobadi's last film The Four Walls (2021). Roger Waters was The Four Walls (2021)'s producer. Akbaba began attracting the attention of directors, who cast him in small roles in a number of television series, such as Içerde (2016) and The Magnificent Century (2011). He gained a lot of attention with the character with autism in the series A Miracle (2019), in which he played. His performance in Girl with No Mouth (2019) brought him "7. Golden Sycamore Special Jury" award alongside with many other awards from other organizations. Growing up in and around the entertainment world it was not long before Denizhan's talent was spotted and he was encouraged to try acting professionally. In 2018, Denizhan scored lead feature film role in the coming of age story Girl with No Mouth (2019). Denizhan was also not one of the first names that were considered for this movie. His performance during the subsequent auditions helped him land the part. Additionally, he claimed that playing a character without eyes is intriguing. Not long after, he scored the role as Selim on the critically acclaimed 2019 FOX drama, A Miracle (2019). He did a great job portraying a sick autistic child. The character of the autistic boy, who was much discussed at the time, was something Denizhan worked on with the acting coach. Everyone on set was in awe of him. The producers admired him. Being an autistic persona and acting out crisis situations, he said, was quite exhausting. He made two other movies in the meantime, Ela with Hilmi and Ali and The Four Walls (unreleased). His first medium-length movie, which he co-wrote and directed with his twin, Emirhan Akbaba, was released in 2020. Denizhan played a character in the "Naked" TV series who can see and communicate with people trapped in purgatory. Denizhan was featured in Last Summer (2021), a Netflix film. In 2022, he burst back into screens throughout the world with guest starring role in Who Were We Running From? (2023), a Netflix TV Series. As someone who has gone from small roles in television shows to one of the most respected actors in Turkey, Denizhan has had one of the most diverse careers in cinema. He broke out in Ela with Hilmi and Ali (2022) leading role as Ali, the doorman's son, who flunked for the second time at school. Denizhan's role as Ali received significant critical acclaim, and he was nominated for the International Istanbul Film Festival for Best Actor, and the Golden Boll Award for Best Actor.

Irene Papas (Greek: Ειρήνη Παππά, born Eirini Lelekou (Greek: Ειρήνη Λελέκου) 3 September 1929 – 14 September 2022)was a Greek actress and singer who starred in over 70 films in a career spanning more than 50 years. She gained international recognition through such popular award-winning films as The Guns of Navarone (1961), Zorba the Greek (1964) and Z (1969). She was a powerful protagonist in films including The Trojan Women (1971) and Iphigenia (1977). She played the title roles in Antigone (1961) and Electra (1962). She had a fine singing voice, on display in the 1968 recording Songs of Theodorakis. Papas won Best Actress awards at the Berlin International Film Festival for Antigone and from the National Board of Review for The Trojan Women. Her career awards include the Golden Arrow Award in 1993 at Hamptons International Film Festival, and the Golden Lion Award in 2009 at the Venice Biennale. Description above from the Wikipedia article Irene Papas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Eduardo Hughes Galeano was a Uruguayan journalist, writer and novelist considered, among other things, "a literary giant of the Latin American left" and "global soccer's pre-eminent man of letters". Galeano's best-known works are 'Las venas abiertas de América Latina' and 'Memoria del fuego'.

Valerie Ritchie Perrine (born September 3, 1943) is a American actress and model. For her role as Honey Bruce in the 1974 film Lenny, she won the BAFTA Award for Most Promising Newcomer to Leading Film Roles, the Cannes Film Festival Award for Best Actress, and was nominated for the Academy Award for Best Actress. Her other film appearances include Superman (1978), The Electric Horseman (1979), and Superman II (1980). Description above from the Wikipedia article Valerie Perrine, licensed under CC-BY-SA, full list of contributors on Wikipedia.

​From Wikipedia, the free encyclopedia. Maja Ostaszewska  (born September 3, 1972) is a Polish actress. She was born in Kraków, the daughter of Polish musician Jacek Ostaszewski. She started her acting training in her native Kraków and later graduated from PWST, in 1996. She has since acted mostly on Teatr Rozmaitości in Warsaw, working with well-known Polish directors such as Krystian Lupa, Krzysztof Warlikowski and Grzegorz Jarzyna. In 1993, during her acting training, she played a small role in Steven Spielberg's Schindler's List. Although her actual real film debut was in 1997, with the TV movie Przystań. For this role, she received the Best Actress Award at the Polish Film Festival held in Gdynia in 1998. Ostaszewska recently played one of the main characters in Academy Award nominated Andrzej Wajda's Katyń. Description above from the Wikipedia article Maja Ostaszewska (b. 10 April 1966 in Radzymin) is a Polish movie and stage actor., licensed under CC-BY-SA, full list of contributors on Wikipedia

Trevor St. John (born September 3, 1971) is an American television an film actor. He is best known for his portrayal of Todd Manning on the ABC daytime drama One Life to Live and reporter Leo Greene on The CW's limited series Containment.

Eduard Osipov is an American TV & Film Producer, Actor and Director. It was at an early age that he developed his passion for acting and filmmaking. At the age 7 young Eduard joined the theater troupe in his school where he began performing throughout his academic years. During these years he studied Russian mixed martial arts at the fight club "Argument" where he won multiple championships. In 2006, he moved to United States to further pursue his acting, directing and producing career.

​From Wikipedia, the free encyclopedia. Clare Elizabeth Kramer  (born September 3, 1974) is an American actress best known for her portrayal of Glory, the main villain in Season 5 of the TV series Buffy the Vampire Slayer. Description above from the Wikipedia article Clare Kramer, licensed under CC-BY-SA, full list of contributors on Wikipedia

Guru Somasundaram is an Indian actor who has appeared in Tamil language films. He made his debut in Thiagarajan Kumararaja's Aaranya Kaandam (2011) winning critical acclaim for his role, before also appearing in Suseenthiran's action film Pandiya Naadu (2013), Karthik Subbaraj's gangster film Jigarthanda (2014) and Raju Murugan's political satire film Joker (2016). He is called Kollywood Christian Bale. Now He is Living in Tiruvannamalai.

Lee Ju-woo is a South Korean actress. She is known for her supporting role in the MBC's television series Return of Fortunate Bok (2017), which earned her an MBC Drama Award nomination.

The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century. Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts. Bene’s turn to cinema expanded that quest to reinvent. His films resist synopsis because, although they are often derived from narrative sources, Bene uses these sources against themselves and as a springboard for his critique of the stultifying traps of representation and interpretation. The films are wildly inventive and visually arresting on several levels: the performance styles of his actors, including eccentric movements, gestures and grimaces; the sets, costumes and makeup; the editing; and the use of the camera, with stable shots regularly punctuated by handheld camera work, extreme close ups and the occasional baroque use of zooms, dollies, cranes, elaborate pans and exaggerated camera angles. They resemble something like the work of Jack Smith crossed with the experimental Pasolini of Teorema and Pigsty. One constant feature of Bene’s work is its satire of heterosexuality. The two sexes keep trying to communicate with each other, but always fail to do so. Bene’s work constantly deflates masculinist pretenses at mastery: his male characters tend to be hapless and often hysterical, while his female characters are alternately predatory and remote, and unknowable in either case. But this satire is merely the most visible form of Bene’s revolt against convention and communication. Over and over again in the films, everyday actions become hopelessly complicated or endlessly interrupted. His characters often end up staring quizzically offscreen or even into mirrors, as if they were no more sure than we are of the meaning of what they see. Indeed, identity and by extension agency seem to get suspended, along with meaning. What is left is glorious spectacle and enigmas for the eyes and ears: endless music; babbling, stuttering text; excessive and exciting images. – David Pendleton

Ki Joo-bong, born in 1955, is a South Korean actor. he majored in film and theatre from Sorabol Art University (now part of Chung-Ang University). He debuted in 1977 when he established the theater company 76 along with his brother KI Guk-seo, also an actor and stage director. They were not earning a lot, but KI didn’t mind. However, along with his marriage came the moral obligation of feeding his family and so he tried other jobs, without much success. He went back to the stage, and since the late 1990s began to appear in movies.